Showing posts with label Abby Brammell. Show all posts
Showing posts with label Abby Brammell. Show all posts

Sunday, February 12, 2012

4-6. The Augments.


THE PLOT

Dr. Soong and his augments have successfully taken the augment embryos from Cold Station 12. Archer and his crew only barely have time to save themselves from Malik's final trap, allowing Soong another substantial head start before they can pursue.

Soong crosses into Klingon space, setting course for a new hiding place to give his embryos a chance to mature. But Malik does not wish to simply run and hide, and hatches a scheme to pit the Klingons at war with Earth by launching a bio-weapon against a Klingon colony!


CHARACTERS

Capt. Archer: There's a rather amusing scene in which Archer uses the Universal Translator to impersonate a Klingon. He chooses his words carefully to be as belligerent and dismissive as possible, and manages to pull off the bluff. Compare with the Archer who blathered near-incoherently at the Klingon captain in Unexpected and nearly got the Enterprise destroyed for his troubles, and it shows how far experience has taken him.

T'Pol/Trip: The interaction between these two has become strained. Trip doesn't behave with any hostility toward T'Pol, and he does understand why she went through her marriage, but he has been avoiding her. When T'Pol finally confronts him about that, Trip explains himself well.  He shows genuine grace when he stammers out telling T'Pol that though he hated what she did, he was proud of her for doing it. Trinneer and Blalock do an excellent job with this scene, a good character moment in a largely action-intensive episode.

Dr. Soong: Spends much of the episode in denial about the precariousness of his position. He expects his "children" to obey his orders without question, and he treats Malik very much like a recalcitrant child. He is snapped out of his denial only when it becomes clear that Malik and the other augments intend to start a war between Earth and the Klingons. Brent Spiner remains very good in this role, and his performance has easily been the highlight of these three episodes.

Villain of the Week: Having already achieved full-fledged psychotic status in the last episode, there really isn't anyplace further to take Alec Newman's Malik. As a result, his character here is simply more of the same, only ever more violent. He does appear to have an inexplicable ability to survive an exploding ship, though, given his presence in a frankly bizarre ending sting.


THOUGHTS

Last episode's cliffhanger is rather quickly tied up, though the spectacle of Archer being beamed aboard while being hurled out of the station into space is an eye-popping visual.

This episode is not as good as Cold Station 12 was. There's nothing here as gripping as the scene from last episode, when Malik exposed one hostage to a contagion in order to force information out of another hostage. Still, with Mike Sussman in the writer's chair, we are assured of solid story structure and plenty of forward momentum. The climax, as Enterprise arrives just as the bio-weapon is released, is an effective suspense bit. It also seems clear that this subplot exists to lay groundwork for a future arc involving the Klingons, so I wasn't certain the Enterprise would actually succeed in stopping the weapon's release.

Not everything works. The not-quite-ending sting with Malik somehow appearing on Enterprise to attack Soong is as silly as it is unnecessary. Malik's character, which showed signs of being 3-dimensional in the previous two installments, devolves into a simple "one note psycho," and his scenes quickly become tedious. Still, the fast pace and strength of the overall arc carries the episode over such speed bumps, and I feel generous enough toward the full arc to award solid marks:


Rating: 7/10.

Overall Rating for "The Augments" arc: 7/10.



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Saturday, February 4, 2012

4-5. Cold Station 12.


THE PLOT

Soong and his augments head for Cold Station 12, where the remaining augment embryos are stored. Their objective is obvious. They intend to free all the remaining embryos, and see a new race of augments born... doubtless with more of Soong's "enhancements" to make them even more indestructible than Malik and his group (I do wonder how Malik would feel about that, once the implications sank in for his own leadership). Enterprise follows, with orders to use any necessary force to stop Soong.

The augments have a significant head start, though, and reach the station well in advance of Enterprise. They quickly take the station hostage, along with all of its personnel. When Dr. Lucas (Richard Riehle), the station director, refuses to surrender the codes to the augment embryos, Malik becomes violent - more violent than Soong is comfortable with.

When Archer leads a landing party to infiltrate the station, it doesn't take long for him and his group to be captured. But Archer has a backup plan to stop Soong's augments. There's only one hitch - It means the destruction of everyone on Cold Station 12!


CHARACTERS

Capt. Archer: Identifies Malik as the real threat, and makes some attempts to get Soong to realize that his "children" have lied to him. Coupled with Malik's own violent tendencies, it's an effective approach... but there just isn't enough opportunity for Archer to really hammer it home. My suspicion is that the next episode will have a bit more of Archer pushing the scientist to realize what Malik has become.

Dr. Phlox: When he realizes that his long-time pen pal, Dr. Lucas, is now stationed at Cold Station 12, he requests permission to join the landing party. He rushes to Lucas' aid, showing no fear at all of the augments, either when treating his friend or when pushed into the test chamber under threat of imminent death.

Dr. Soong: Though Soong was portrayed as the villain in Borderland, he was given some sympathetic notes: his respect for Archer, his insistence on sparing the lives of the Enterprise crew.  These are further expanded on here. We see in flashback that he genuinely loved the children, whom he raised as his own. When he learns of the death of one of them (at Malik's hands), he sits in the dark, recalling the boy's love of astronomy and demanding to know what happened. Brent Spiner's performance in the last episode was entertaining, but here - as Soong's arrogance is gradually wiped away by the realization that things have gone beyond his control - he genuinely excels.

Villain of the Week: With Soong showing a more sympathetic side, the story needs a truly evil villain. That role is filled by Alec Newman's Malik. He was potentially sympathetic in the last episode. Yes, he orchestrated the attack on the Klingons and killed his own brother - but both of these acts were explicable, given the circumstances. Now we see him revealed as a monster. Soong's squeamishness about killing disgusts him.  He regards the deaths of humans as morally irrelevant, the equivalent of stepping on ants. Having, in effect, killed his brother and married his sister Persis (Abby Brammell), he's a villain who would be entirely at home in a Shakespeare play - one of the really bloody ones.


THOUGHTS

The "Previouslies" emphasize just how superfluous the Orion Slave subplot in Borderland really was. The "Previouslies" lay out everything of importance from the first part: the takeover of the Klingon ship, Dr. Soong's imprisonment, his rescue by the Augments, and Malik's killing of his brother. Notice what isn't there? Not a single shot referencing the side plot that took up close to half of the previous episode! It's not that it wasn't an entertaining diversion. But if there was only really two episodes' worth of plot in this story, whywasn't it simply made as a 2-parter, with the Orion plot being left for a standalone episode elsewhere in the season?

As to this episode, it's a far stronger one than its admittedly enjoyable predecessor. The hostage situation creates an inherently tense scenario, and the give-and-take between Soong and Malik provides another layer of tension.  Soong is increasingly unhappy about Malik's violent nature, and Malik now seems interested in getting rid of his squeamish "father" just as soon as he can be sure that the others will go along with it.   

Brent Spiner and Alec Newman give particularly good performances.  As much Spiner might have had sneering through Borderland, he is much more interesting with the more layered characterization Soong is given here.  Mike Vejar's polished direction keeps things moving, and this is a tremendously strong episode visually.  Special praise is due to the set design of the station, with other visual standout moments including: the approach to the station, inside the asteroid; the chamber with the embryos; and that final shaft that Archer ascends as "To Be Continued" appears on the screen.


Rating: 9/10.  



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