Showing posts with label mind meld. Show all posts
Showing posts with label mind meld. Show all posts

Sunday, October 7, 2012

4-15. Affliction.


THE PLOT

Enterprise returns to Earth for the official launch date of her sister ship, the Columbia - the ship to which Trip is transferring. For the crew, it's an opportunity for some well-deserved leave. Dr. Phlox is in San Francisco with Hoshi, taking in a meal at his favorite Chinese restaurant. The two are just walking back when they are jumped by alien attackers. Hoshi is knocked out while attempting to fight back, but not before she overhears one of the attackers speaking in Rigelian.

Reed has only just begun to investigate the kidnapping when he receives a transmission from Harris (Eric Pierpoint), his old boss.  Harris informs Reed of an important mission, something that must be kept from Archer for security reasons. Dr. Phlox learns of it, too, when he is brought face-to-face with his captors: the Klingons. The Klingons are suffering from a virus that is spreading from world to world. Phlox is tasked with finding a cure. What he learns about the virus, however, may strain his devotion to preserving life.


CHARACTERS

Capt. Archer: The information he gleaned from Surak's katra allows him to talk T'Pol through initiating a mind-meld. I'm sorry, but is that really necessary? In a season that's badly overinflated Archer, do we honestly need him talking the series' regular Vulcan through a Vulcan procedure? When do we hit the episode where Archer parts the Red Sea?  Rant aside, Scott Bakula does well when Archer finally discovers Reed's deceit. A range of emotions, from weariness to disappointment to anger, are evident in his face and voice, and he and Dominic Keating do some first-class acting in this scene.

Reed: From the first season, a part of Reed's characterization has been how distant he is, how difficult he is to know. This episode provides some background which sheds light on that particular established quality. Long before he joined Enterprise, Reed was an agent. Here, he is called back into service, putting him in the position of keeping information from his captain. It is not a comfortable situation for him, as he feels torn between loyalty to Archer and the still-strong dictates of his previous job.

T'Pol: Trip's departure affects her more than she wants to admit. As she attempts to meditate, she makes a telepathic connection to Trip, who is probably pausing in his busy day to think of her. In the midst of her white void of meditation, the two instantly begin to argue, before Trip is snapped out of it by one of his new shipmates. T'Pol also pulls triple-duty. She has to cover for the new chief engineer's learning curve. Then, when Archer begins to suspect Reed of deception, she has to double-check Reed's work and report back to Archer.

Trip: The easygoing Trip of the first season is not the Trip who signs onto Columbia. Trip is strict to the point of harshness with his new crew, working them triple shifts in order to get his new ship's engines working at the level of Enterprise's. By the time he has dinner with his new captain the next day, two of his crew have already requested transfers. He remains very good at his job, and he does get the engines working in time to meet Columbia's accelerated deadline. He even seems to be relaxing into his new post a bit, congratulating one of his new people on a job well done.

Dr. Phlox: Despite his outrage at being kidnapped, he is willing to do what he can to assist the Klingons once he learns of the virus.  He is appalled at the harsh Klingon methods, however, including the execution of infected patients to allow for dissection. When he discovers the true nature of the virus, he is even further outraged, both by what the Klingons attempted to do and by their keeping this from him when he should have been given the information at the outset.  John Billingsley is a good enough actor to keep his performance from being one-note, cranking up the intensity at just the right points and then reverting to a more subdued performance in between the more strongly emotional scenes.

Hoshi: We actually get a demonstration of the fighting skills she mentioned in Observer Effect, as she fights with Phlox's abductors. She's effective, too, kicking the gun right out of one attacker's hand and fending him off. If not for the third attacker, unseen until too late, she and Phlox might well have succeeded in getting away. Her linguistic skills come in useful, first in recognizing that the attackers spoke Rigelian, later in recognizing the prisoner speaking Klingon.

Klingons: They are unwilling to ask for help in dealing with the virus, lest they look weak to their enemies. But kidnapping a skilled doctor? That's no problem. When Phlox wonders why they didn't just kidnap Dr. Soong, who would have been more efficient at mapping genomes, the reply is direct and pragmatic: They tried; Soong was just too heavily guarded. At every turn, the Klingons prove to be ruthless and jealous of their secrets, and it seems evident that they have no intention of letting Phlox leave alive with what he knows.


THOUGHTS

I'll admit to being in the Trek camp that never really felt that an explanation was needed for why TOS Klingons had smooth brows while later Klingons had bumpy ones. It's always seemed obvious to me that the simple makeup of the TOS Klingons was a matter of budget, and that all that ever needed to be addressed on this issue was covered by Worf's, "It is not something we discuss with outsiders," in Trials and Tribbleations.

But if the main reason behind this 2-parter basically amounts to fan service, that doesn't matter to me in the slightest. Based on this first episode, it's going to be a pretty good 2-parter. It incorporates several elements from earlier in the season. The Trip/T'Pol arc follows directly on from The Aenar. The Klingon virus is directly linked to the Augment arc. Capt. Ramirez and the Columbia return from the episode, Home, along with a reference to Phlox's altercation in that episode. It all serves to tie the season together as an extended narrative, something I love when it's done well - and here, at least, it's done extremely well.

The most interesting story strand belongs to Reed. We know him well enough to realize that he's no traitor. But his having worked in intelligence makes sense, actually lending some focus to his characterization early in the series. Being called back into duty, splitting his loyalty between his old superiors and his current one, puts a strain on him which shows in Dominic Keating's performance. When he is caught, and Archer throws him in the brig, he is left to feel helpless as the ship undergoes a new crisis - and he is left unable to assist.

A strong first episode, with some good continuity with the rest of the season, some excellent character work, and some nice touches of intrigue.  The sort of setup episode that leaves one hopeful when anticipating the Part Two payoff.


Rating: 7/10.

Previous Episode: The Aenar
Next Episode: Divergence 

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Saturday, December 18, 2010

2-14. Stigma.

THE PLOT

The Enterprise visits an interstellar medical conference, at which Dr. Phlox is looking forward to obtaining some new medical supplies while visiting his second wife (Melinda Page Hamilton). Phlox has another reason for wanting to attend the conference, as well. The forced mind meld T'Pol was subjected to in Season One has resulting in her contracting a Vulcan neurological disease. Though T'Pol urges him not to discuss the disease with the Vulcan medical contingent, Phlox feels he has no choice.

Phlox's request for information, though veiled by the doctor as being of interest to his own species, arouses the Vulcans' suspicion. The disease is spread only through mind-melding, a practice that the Vulcans currently regard as abhorrent and deviant. As Ronald Reagan is the Vulcan President, curing AIDS is not currently a priority (well, if they're not going to subtle with their allegory, why should I?). Now T'Pol finds herself facing a Vulcan inquiry, which could result in her reassignment.


CHARACTERS

Capt. Archer: Scott Bakula's performance is at its best when Archer is either angry or frustrated. In this episode, he gets to be both. Bakula is terrific when he's confronting the Vulcans, looking for all the world like he's restraining himself from physically attacking them. For all his anger, he doesn't deal with the situation entirely impulsively. Instead, he reviews the rules and procedures, and uses them to earn T'Pol a hearing.

T'Pol: Refuses to reveal that the mind meld was forced upon her, because she will not confirm the High Command's prejudices even to benefit herself. Conceals her condition from Archer, and ultimately makes Archer promise to go along with her refusal to disclose what happened.

Trip: Gets the "B" plot of the episode, continuing the second season's inistence on having Trip be prominent in seemingly every show. At least he's not the centerpiece of this one, and his subplot with Phlox's wife is amusing. Connor Trinneer does well with Trip's discomfort with the woman's advances, and the scene in which he confesses all to Phlox is quite amusing - not least for Phlox's reaction.

Dr. Phlox: A Phlox-heavy episode is always welcome, all the moreso given how relatively little focus has been given to Phlox in recent episodes. Here, we see more of the Denobulan culture. It turns out, Phox wasn't being at all immoral by the standards of his own species when he encouraged Cutler's crush on him despite being married. His culture is evidently very open about sexuality, and not at all monogamous.

We also see a lot of Phlox in his role as Doctor, where he is willing to get himself into trouble, to the point of making himself persona non grata at the medical conference, rather than compromise either the welfare or the confidentiality of his patients. When Archer hauls him on the carpet for keeping the situation from him, Phlox has no apologies.  He calmly replies by citing doctor/patient confidentiality. He finds the Vulcans' refusal to prioritize a cure for a potentially deadly disease repugnant, and when he does get some research, believes he can make some strides toward better treatments at a faster rate than the current Vulcan High Command is likely to do.


THOUGHTS

OK, so the episode doesn't win any points for subtelty with its Reagan era AIDS allegory. Some of the Vulcan rhetoric comes almost word-for-word from the right wing rhetoric regarding AIDS at that time, and there's never any doubt as to what this episode is actually "about."

That said, this is a good episode. I might have wished for more subtelty, but I'm quite happy with what we got. The episodes looking at 22nd century Vulcan society have consistently been among Enterprise's most interesting, no matter how much they may annoy a certain strand of Trekkies/Trekkers. It's interesting to see the hypocrisy with which this particular Vulcan society greets anything that compromises its worldview, and to see hints of the division within Vulcan culture. It's good to see the series returning to one of its more interesting strands. I hope this leads to furhter developments in the future.

It's a particularly strong episode for T'Pol, as we see her character breaking ever more from the mainstream of Vulcan society. Early T'Pol was more or less in lockstep with the Vulcan High Command.  She has already begun questioning acts sanctioned by the High Command, and now we see her displaying a lot of courage in defying their prejudices. Even when she receives the needed research and is "acquitted" (she got it from a rape, so it's OK to consider her a victim. It's those willing hedonists who aren't to be sympathized with, y'know), she makes clear her intention to continue fighting, which earns Archer's full approval.


Rating: 7/10

Previous Episode: Dawn
Next Episode: Cease Fire

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Monday, September 27, 2010

1-17. Fusion

THE PLOT

The Enterprise is heading toward a nebula that Archer has personal reasons for wishing to chart in detail, when it encounters a Vulcan transport ship. Archer braces himself... but these are not typical Vulcans. This ship consists of several disenfranchised Vulcans who have abandoned mainstream society in an attempt to integrate emotions with logic. T'Pol finds this disturbing, but Archer finds this group almost surprisingly easy to relate to. As Trip assists the Vulcan engineer with repairs to their ship's engines, the Vulcans repay them by helping to chart the nebula. But when one of the Vulcans develops a fascination with T'Pol, and becomes obsessed with drawing out her buried emotions, the consequences may be more than any of the Enterprise crew are prepared for.


CHARACTERS

Capt. Archer: Archer's flaws are still decidedly in evidence. He decides early on that it would be good for T'Pol to interact with these Vulcans, and all but orders her to work closely with them - which directly leads to the episode's crisis. However, he is also showing signs of some progress. He admits early on that he "could be wrong" in sensing no danger from the Vulcans, which is more than he's typically admitted when brushing aside T'Pol's cautions. When Admiral Forrest contacts him with a favor for a member of the Vulcan High Command, Archer actually listens and attempts to complete that favor, which shows recognition that building a few bridges (as opposed to burning them) might be a good thing. Finally, when things get out-of-hand with T'Pol's Vulcan admirer, he deals with it extremely well, if unnecessarily melodramatically.

T'Pol: This episode is largely centered around her. Refreshingly, instead of reinforcing that she's a Vulcan woman from Vulcan (the way Mayweather's character-centric episode simply reinforced the two things we already knew about him), the writers actually fill in some new background. We learn that she has toyed with minor bits of rebellion in the past, and that one night in San Francisco, she allowed herself to experience emotion through jazz music. Her initial repulsion at these emotional Vulcans quickly turns to fascination and attraction, and she is almost eager to flirt with the very danger of which she warns Archer. Jolene Blalock does a generally good job with the material she's given here, creating a far more sympathetic version of T'Pol than Broken Bow would have had me believing possible.

Trip: Forms a fast bond with the Vulcan engineer. When he learns of that Vulcan's issues with his father, his compassionate side shows itself, and he deals very well with his new friend, earning a very positive result all-around.


THOUGHTS

As with Breaking the Ice, this is an episode that's quite light on actual incident. It is almost entirely a character episode, with only a third-act crisis creating any sense of external conflict. Mostly, the episode is content to explore our three main characters, and muse about emotion versus reason, and the balance between the two.

I find it interesting that Trip ends up coming out with a purely positive interaction, while Archer and T'Pol have more negative experiences. Obviously, this is not narratively to Archer's or T'Pol's discredit - T'Pol is assaulted (with the script none-too-subtly equating the incident with attempted rape), and Archer is responding in his capacity as ship's captain to an attack on one of his crew. Still, it should be noted that of the three leads, it is Trip who probably has the best balance between reason and emotion. Unlike T'Pol, Trip is open to his emotions. Unlike Archer, he rarely allows those emotions to override his reason and judgment. Whether it's an accident of the script or not, it therefore feels appropriate that Trip ends up with the most positive experience here. Admittedly, it doesn't hurt that Trip ends up partnered with the most emotionally balanced of the renegade Vulcans.

The episode is well-directed, as has been the case with most Enterprise episodes. Here, we see particularly strong flourishes in T'Pol's memories/dreams/flashbacks to her night out in San Francisco. These scenes are shot in such a way, with attention to color and lighting, that a dreamlike haze is evoked with every cut. It's effective, and visually very well-accomplished.

In the end, this is a quiet episode, almost certainly not a critical one, but reasonably effective. The "attempted rape" metaphor is perhaps a touch too blatant, and the "bad apple" among the Vulcans is far too easy to spot. But I genuinely enjoyed the piece. I doubt it will linger in my mind, but it was decent viewing, if expendable.


Rating: 6/10

Previous Episode: Shuttlepod One
Next Episode: Rogue Planet

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